3/21/2024 0 Comments Georgia font 1001 free fontsThis font comes with many different traditional features and all these make this font an elegant and flawless typeface and there are many alternatives that can be contemplated instead of this font. Using Microsoft Word, I can alter the spacing by going to ‘Font’, ‘Advanced’ and expanding or condensing….This typeface styling is being inspired by the 19th-century notable design Scotch Roman and this font can easily be used with the pair of campton font and used for various reasons. This is when I will do a bit of chopping and changing to the print out. Even though technically it should be, it just doesn’t look it. The spacing is a bit of a tricky one to write guidelines for as quite often it’s just a case of it not looking quite right. Kerning is the official word for the spacing in between letters and whilst I often stay true to how the computer has set up the spacing (this saves a lot of time), there are occasions when it is necessary to alter kerning manually. You’ll find that after a while the paper starts to shred where you’ve sliced through it and it just becomes a nuisance. Quite often the paper only stays on the wood long enough for me to lightly mark out the outside edges of the letter to use as a guideline. Don’t be tempted to stick it on too soon, if you do this it can be a pain to remove and you’ll have glue residue on the wood. I simply print off the lettering and apply SprayMount onto the back, wait a few minutes until tacky, then stick it to the wood. Some people don’t like the idea of carving straight through the paper but I find this is the most efficient way of transferring the design onto my work. ![]() With regards to the grain on the wood, I usually have the grain going horizontally rather than vertically. You could draw it on freehand, print the lettering off and trace the outline with some carbon paper underneath or my preferred method, stick the paper to the wood and carve straight through it. There are a couple of options for getting the design onto your chosen piece of wood. Capitals are quicker to carve than lower case so that will have an influence as well. If working on a commission- how much time does the budget allow for carving? Try carving just one letter to get an idea of how long it will take, this is particularly relevant when looking at italic/ornate fonts. Where are the central stab cut lines going to go (more on these later) Are some of the lines too thin to show up clearly when carved or to get paint into/gild, if so, would it ruin the look if you widen the lines slightly. Have a think about what effect you want to create clear and bold, feminine, childlike, elegant? Once you’ve found a font you like, it’s time to think about the practicalities of whether it’s suitable for carving. ![]() In theory the world’s your oyster when it comes to fonts, have a look through what’s available on your computer or visit websites like where there’s a vast array of designs. Typically for house signs I stick to either Times New Roman or Georgia, they’re nice and clear with serifs to give it a more traditional look, if it’s not a house sign or plaque then there’s more room to get creative. ![]() ![]() Is the lettering going to be painted? Gilded? All these things will influence the choice of font for the finished product. What’s the budget? The more complicated the font, the longer it’s going to take to carve. Is it for outside or inside? What purpose does it need to serve e.g there’s little point in having a house sign that’s in a beautiful scroll font but isn’t clear enough to read from the roadside. When I start out working on a piece of lettering design, the first thing I need to consider is the location and use of the piece. Feel free to experiment, as long as you get the end result you’re after without damaging either yourself or the tools I can’t see the harm! Here I’m outlining the way I carve my lettering from design to finished product, it’s the method that I personally use but as with anything, there are always slight variations for how you can approach carving.
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